A big thank you goes to Leanna Renee Hieber for for sharing her time here with all of us, to her lovely publicist at Dorchester Pub, and to all of the readers who stopped by for Ms. Hieber's guest post and contest!
The winners of a copy of The Strangely Beautiful Tale of Miss Percy Parker are:
Daelith
gaby317
Please email me at darquereviews AT gmail DOT com with your mailing info so your books can be sent out to you. :)
Kimberly Swan, DarqueReviews.com
Showing posts with label Historical. Show all posts
Showing posts with label Historical. Show all posts
Tuesday, August 25, 2009
Tuesday, August 11, 2009
Guest Post - Giveaway - Leanna Renee Hieber
Today I have the pleasure of welcoming Leanna Renee Hieber to Darque Reviews with a guest post. Thanks so much for joining us Ms. Hieber!*Don’t forget to read the instructions below the guest post to enter for a chance to win one of two copies of The Strangely Beautiful Tale of Miss Percy Parker!*
The Guest Post:
My favourite thing about the hero of The Strangely Beautiful Tale of Miss Percy Parker- first in my Strangely Beautiful Gothic Victorian Fantasy series- is this: Clove tea and leather-bound books.
I believe the most evocative, dare I say delicious thing I’ve ever written is how my compelling, enigmatic, ever-so-sexy (otherwise why would I have written him) hero, Professor Alexi Rychman, smells. Before I wax rhapsodic about how intoxicating I find the man, let me set his scene. The year is 1888. London is ghostly and gas-lit. This is the ghostly world in which his tale takes place:
What fortune awaited sweet, timid Percy Parker at Athens Academy? Considering how few of Queen Victoria’s Londoners knew of it, the great Romanesque fortress was dreadfully imposing, and little could Percy guess what lay inside. She had never met the powerful and mysterious Professor Alexi Rychman, knew nothing of the growing shadow, the Ripper and other supernatural terrors against which his coterie stood guard. She knew simply that she was different, haunted, with her snow-white hair, pearlescent skin and uncanny gifts. But this arched stone doorway offered a portal to a new life, an education far from the convent—and an invitation to an intimate yet dangerous dance at the threshold of life and death…
A few months ago author/blogger Lise Horton of my RWA NYC Chapter (http://www.blogger.com/profile/13315265091119634416) gave a fabulous presentation about using sensory input in our stories. This is particularly important when dealing with paranormal universes. Not only is it fun to create and imagine new and unexpected sensory input, but such details can immerse readers in alternate realities and make a book a transporting experience. I find creating the necessary atmosphere, whether realistic or utterly fantastical, a delightful part of the process. During Lise’s presentation I kept thinking of a specific moment in my book. One of my very favourite moments. And in the end, this detail isn’t supernatural at all. I’ll show you. The setting:
Nineteen year old Miss Percy Parker, feeling freakish in her ghostly-white skin has fled from the uncomfortable social trauma of the Athens Academy ball and into a darkened, abandoned foyer where she dances alone. Professor Rychman, helplessly intrigued by her, silently follows, and time stops a moment to allow them this encounter...
From The Strangely Beautiful Tale of Miss Percy Parker...
Suddenly, Percy realized that she’d never before been so terribly alone. Tears sprang forth, and she let them come.
“Now, now, Miss Parker, what’s this?” a voice scolded from behind.
Percy whirled at the familiar, stern sound. A figure broke from shadow, clad in an elegantly tailored frock coat trimmed with ornate embroidery, and a white silk cravat. His black hair was combed neatly, framing that noble, stoic face at which Percy had spent countless hours staring. Percy’s heart throbbed in her throat.
“Oh, Professor! Good evening!” She nearly coughed out her words, feeling all grace drain away, cut to the quick by his unexpected appearance. She tried to bat away her tears but his firm hand caught her pale, lace-covered fingers. He took her hand, their entwined fingers bridging the cold chasm between their bodies.
“May I have this dance, Miss Parker?”
“Oh … of course, sir.” A blush bloomed ferociously in her cheeks but she was helpless to stop it.
As his hand grasped hers, she examined his full lips, which had just enough curve to make his expression inviting. There was just enough light in those dark eyes to make Percy wholly forget about breathing, and without words or even a nod he drew her hand to his side. He slid his opposite hand around layers of smooth lavender satin and placed the fullness of his palm assuredly upon her waist.
Percy’s hand flew to his shoulder, alighting like a lark on a branch. She saw his nostrils flare, as if he took in the intoxicating scent of the heather she wore, and if her mind did not play tricks he stared at her as if she was his peer. But her mind did play tricks, and these were dangerous thoughts.
They began to waltz—slowly at first, their circles precise and narrow, their gazes locked. Percy, who had already memorized the professor’s features, now savored each pore, crease and eyelash. The study of his sculpted lips forced her to close her eyes or else, truly, her knees would have buckled. In turn she knew she was being parceled; but from him, she welcomed the scrutiny.
Their bodies were one with the music, and Percy found she didn’t have to think about the correct steps any longer. In and out of the moonlight they floated, silent save for the deft clicks of their heels, the whispers of the music rising from below and the occasional sigh escaping Percy’s lips. Their orbit grew, expanded. Her sighs grew into giggles and laughs.
Professor Rychman spun her, and Percy swept fully against him, lingering there for just a moment. Her face brushed his chest and she took a deep breath. He smelled faintly of clove tea and leather-bound books. She did not want to remove her cheek from the thick black lapel of his jacket; she could have nestled in that warm darkness indefinitely. Perhaps, at least, until class. A giddy scream welled up inside her. This was surely a dream…
(end of Excerpt)
---
Scent is one of the most powerful senses to evoke memory and emotion. For me, having this real, small yet absolutely knowable sensory detail, amidst the improbable and vast spectral universe of the Strangely Beautiful world, has remained critical to me. It anchors me to Alexi, as I journey forward with him as I write his future books. I always have a cup of clove tea by my side when I write, to keep him near.
I very much appreciate the opportunity to be here at Darque Reviews and I hope you’ll love Alexi, Percy and The Strangely Beautiful Tale of Miss Percy Parker as much as I loved writing it! Blessings!
Leanna Renee Hieber
Thank you so much for joining us Leanna! I wish you the best with The Strangely Beautiful Tale of Miss Percy Parker, and hope to see more in the Strangely Beautiful series soon!
You can visit Ms. Hieber’s website: HERE
You can read a review for The Strangely Beautiful Tale of Miss Percy Parker: HERE
You can visit her author page on Darque Reviews: HERE
The Giveaway:To enter for a chance to win one of two copies of The Strangely Beautiful Tale of Miss Percy Parker, please leave a comment on this post. I’d love to hear what draws you to reading books with a historical setting. Two winners will be chosen on release day, August 25, 2009, so be sure to check back to see if it was you! Good luck, and Happy Reading!
Kimberly Swan, DarqueReviews.com
Sunday, August 9, 2009
Review - The Strangely Beautiful Tale of Miss Percy Parker by Leanna Renee Hieber
A new review has been posted on the website for The Strangely Beautiful Tale of Miss Percy Parker by Leanna Renee Hieber. This is the first installment in the Strangely Beautiful series.http://darquereviews.com/12612/240775.html
You can also visit the author's page:
http://darquereviews.com/14912/240880.html
Please feel free to share any comments on this book here on the blog post. :)
*Be sure to stop by Tuesday (August 11, 2009) for a guest post and book giveaway with the lovely Ms. Hieber!*
Kimberly Swan, DarqueReviews.com
Tuesday, July 28, 2009
Promo - The Devil's Queen by Jeanne Kalogridis
The Devil’s QueenA Novel of Catherine de Medici
Jeanne Kalogridis
St. Martin’s Press
July 21, 2009
ISBN# 978-0-312-36843-2
Book Blurb:
From Jeanne Kalogridis, the bestselling author ofI, Mona Lisa and The Borgia Bride, comes a new novel that tells the passionate story of a queen who loved not wisely . . . but all too well.
Confidante of Nostradamus, scheming mother-in-law to Mary, Queen of Scots, and architect of the bloody St. Bartholomew’s Day Massacre, Catherine de Medici is one of the most maligned monarchs in history. In her latest historical fiction, Jeanne Kalogridis tells Catherine’s story—that of a tender young girl, destined to be a pawn in Machiavellian games.
Born into one of Florence’s most powerful families, Catherine was soon left a fabulously rich heiress by the early deaths of her parents. Violent conflict rent the city state and she found herself imprisoned and threatened by her family’s enemies before finally being released and married off to the handsome Prince Henry of France.
Overshadowed by her husband’s mistress, the gorgeous, conniving Diane de Poitiers, and unable to bear children, Catherine resorted to the dark arts of sorcery to win Henry’s love and enhance her fertility—for which she would pay a price. Against the lavish and decadent backdrop of the French court, and Catherine’s blood-soaked visions of the future, Kalogridis reveals the great love and desire Catherine bore for her husband, Henry, and her stark determination to keep her sons on the throne.
About the Author:Jeanne Kalogridis lives with her partner in North Carolina, where they share a house with two dogs. She is the author of the critically acclaimed novelsThe Borgia Bride and I, Mona Lisa and other numerous dark fantasy and historical novels. (photo © Ruth Miller)
Bonus Ebook:
Don’t miss some of Catherine’s favorite black magic spells and dark charms in the free mini-ebook, Book of Black Magic: The Devil’s Queen Grimoire. You can find it: HERE
You can learn more about Ms. Kalogridis and her writing by visiting her website: HERE or by visiting the St. Martin’s Press website: HERE
Kimberly Swan, DarqueReviews.com
Friday, June 26, 2009
Guest Post - Rona Sharon - author of Royal Blood
Blood, Fire, and Pillars of Smoke: The Rise of Vampires in Pop Culture
By Rona Sharon, Author of Royal Blood
As popular themes go, vampires may very well win the prize of "most commonly resurrected." You may love them, hate them, or are trying very hard to ignore them, but surely you have wondered at least once what made the damned princes of darkness so bloody interesting.
If you prefer "real world" storylines and are observing the phenomenon as a baffled bystander, you might be interested to know that thousands of years before achieving mass popularity in movies such as Underworld and Twilight, and TV series like True Blood, vampires had manifested in pagan mythology, monotheistic demonology, and spiritual rituals.
Throughout history, vampire myths appeared in nearly every culture. From the ancient Middle East (Mesopotamia, Judea, Egypt), these archetypical baddies invaded Europe, where they found fertile soil in Slavic paganism, and also materialized in Africa, Asia, and the Aztec Empire.
Curiously, the earliest vampires were females -- violent dark goddesses like the Sumerian Lilitu, the Egyptian Sekhmet, and the Indian Kali, all possessing immense supernatural forces. These vampiric goddesses had both the powers to create and to destroy, to give birth and to devour.
In the Dark Ages, tales of vampires sparked public hysteria. Corpses were exhumed and stabbed. It had taken the vampire various reincarnations, through the Hebrew Talmud, Arabian Nights, Boccaccio's Il Decameron, and eclectic poetry to reemerge as the suave ageless nobleman.
This 19th century "makeover" was a direct outcome of the violent volcanic eruption in Indonesia in 1815. The Judgment Day atmosphere caused by dark skies and a frosty summer inspired Mary Shelley's Frankenstein, as well as plays and operas starring the alluring vampire lord.
From this point on, the revenants' star was on the rise and shining ever so brightly with each literary, musical, or theatrical piece conceived (oftentimes as a result of consuming laudanum) in their honor. Lord Byron, Edgar Allen Poe, and Alexandre Dumas, to name a few, contributed to their eternal fame, but it was the Irish novelist Bram Stoker's Dracula that had the mightiest impact on the imagination and cast the glory of the bloodthirsty count and his court in perpetuity.
Evidently the public's fascination with vampires is not an original fad. The vampire is the most popular fiction character of all times. What is it about vampires exactly that appeals to so many people? And why, being familiar with this totally fictitious half-man, half-monster icon, people are still happy to spend their time on movies, books, and TV series that feature vampires?
Entertainment and escapism come to mind. As much as we are riveted by "real world" plots, sometimes the brain needs to zone out in fantasyland. This explanation is plausible, but it fails to prove why the vampire in particular outperforms any other fantastical creature.
We should keep in mind that the vampire has only recently assumed the role of the compelling, gothic, martyred, seductive, gorgeous, off-limits, struggling, sympathetic, romantic outcast in love with a human. The slick hunk in black leather pants, driving a sports car in a metropolis by night, was not the bloodcurdling image that had haunted the graveyards of our ancestors.
Granted, the spooky effect has value. Sexologists believe that scary moments stimulate the libido and therefore couples may bond effectively having watched a horror movie together. However, while this theory is bound to stick in your memory, it does not offer sufficient evidence, either.
Vampires, whether pale and beautiful or ghoulishly foul, have always been identified with death, blood-drinking, and sex, feeding on emotions such as love, guilt, dread, desire, pity, and sadism.
Far be it from me to undertake psychoanalyzing why we are obsessed with death, blood, and sex. In my capacity as a historical novelist, I choose to explore the mysteries of the human psyche through stories in the hopes of understanding why we were put on this earth and how we may improve our lot in life. Ironically, as I study the tapestry of man's fleeting existence, I see how the fruits of one generation's labor -- art, science, architecture, etc. -- are reaped by its successors.
Now, a vampire -- omnipotent, never-aging, and immortal -- may travel the centuries unscathed, unconstrained by a deadline in his pursuit of enlightenment and happiness. Would he or she be a cheerful voyager or one cursed with loneliness? Then there is the future to consider. What if the world and/or mankind are doomed to a cataclysmic end? Would anyone care to witness that?
Vampire symbolism is tied in heavily with the awareness of the powers of darkness, chaos, and the occult -- ancient mysteries that add a chilling dimension to the rich layers of history and cast a question mark on the future. Doomsday prophecies made for an absorbing read as I was doing research back in 2007 for Royal Blood, my Tudor Vampires novel. Here's an example:
"Awake, ye drunkards, and weep . . . For a nation is come up upon my land, strong, and without number, whose teeth are the teeth of a lion . . . Sound an alarm in my holy mountain: let all the inhabitants of the land tremble: for the day of the Lord cometh, for it is nigh at hand . . . And I will shew wonders in the heavens and in the earth, blood, and fire, and pillars of smoke. The sun shall be turned into darkness, and the moon into blood, before the great and the terrible day of the Lord come."
– Book of Joel
The vampire -- a human lookalike possessed of superior abilities, as well as frailties, dependent on man for sustenance, multifaceted and obscure -- remains an enigmatic figure. Friend or foe? Through him, we get to experience latent fancies and scenes in which the secrets of creation are unraveled. Thank heavens for fiction, I say. The world, I predict, has not seen the last of the vampire crazes. The undead are here to stay, our prolific imagination will undoubtedly continue to produce them, and even the most discriminating realist may yet cross over to the dark side.
©2009 Rona Sharon, author of Royal Blood
About the Book:
Royal Blood
Rona Sharon
Kensington
April 1, 2009
ISBN# 978-0-7582-2858-1
Book Blurb:
In the Tudor Court of 1518, your friends and enemies can be one and the same...
During the annual celebration of the Order of the Garter, Sir Michael Devereaux arrives in King Henry VIII's court on a mission for his benefactor. The celebration's endless feats and sumptuous women delight the charismatic newcomer, who becomes captivated by the enigmatic Princess Renée of France. But evil, it seems, has followed Michael to the court. Shortly after his arrival, an unknown killer claims several victims, including the Queen's lady-in-waiting, and the powerful Cardinal Wolsey asks Michael to help with the investigation. As he searches for the killer, Michael is haunted by disturbing images of the victims—flashes of violence that lead him to doubt his own sanity. Michael soon realizes that the key to solving the crime is connected to both the Pope's Imperial vault in Rome and a mystery from Michael's own past—revealing a secret that is so damning, it could forever alter the future of mankind.
Powerfully evocative and steeped with detail from the breathtaking era of the Tudors, Royal Blood is historical storytelling at its richest—an unforgettable tale of intrigue, passion, and danger.
About the Author:
Rona Sharon is the author of critically acclaimed historical novels of intrigue, passion, and danger. Her latest, Royal Blood, is a tale of lust and violence in the treacherous Tudor Court. From her home on the Mediterranean Coast in Tel Aviv, surrounded by thousands of years of history, Rona brings her passion for culture and travel to her writing and never fails to deliver a story that carries a punch . . . and a dagger.
For more information please visit http://www.ronasharon.com/
Kimberly Swan, DarqueReviews.com
By Rona Sharon, Author of Royal Blood
As popular themes go, vampires may very well win the prize of "most commonly resurrected." You may love them, hate them, or are trying very hard to ignore them, but surely you have wondered at least once what made the damned princes of darkness so bloody interesting.
If you prefer "real world" storylines and are observing the phenomenon as a baffled bystander, you might be interested to know that thousands of years before achieving mass popularity in movies such as Underworld and Twilight, and TV series like True Blood, vampires had manifested in pagan mythology, monotheistic demonology, and spiritual rituals.
Throughout history, vampire myths appeared in nearly every culture. From the ancient Middle East (Mesopotamia, Judea, Egypt), these archetypical baddies invaded Europe, where they found fertile soil in Slavic paganism, and also materialized in Africa, Asia, and the Aztec Empire.
Curiously, the earliest vampires were females -- violent dark goddesses like the Sumerian Lilitu, the Egyptian Sekhmet, and the Indian Kali, all possessing immense supernatural forces. These vampiric goddesses had both the powers to create and to destroy, to give birth and to devour.
In the Dark Ages, tales of vampires sparked public hysteria. Corpses were exhumed and stabbed. It had taken the vampire various reincarnations, through the Hebrew Talmud, Arabian Nights, Boccaccio's Il Decameron, and eclectic poetry to reemerge as the suave ageless nobleman.
This 19th century "makeover" was a direct outcome of the violent volcanic eruption in Indonesia in 1815. The Judgment Day atmosphere caused by dark skies and a frosty summer inspired Mary Shelley's Frankenstein, as well as plays and operas starring the alluring vampire lord.
From this point on, the revenants' star was on the rise and shining ever so brightly with each literary, musical, or theatrical piece conceived (oftentimes as a result of consuming laudanum) in their honor. Lord Byron, Edgar Allen Poe, and Alexandre Dumas, to name a few, contributed to their eternal fame, but it was the Irish novelist Bram Stoker's Dracula that had the mightiest impact on the imagination and cast the glory of the bloodthirsty count and his court in perpetuity.
Evidently the public's fascination with vampires is not an original fad. The vampire is the most popular fiction character of all times. What is it about vampires exactly that appeals to so many people? And why, being familiar with this totally fictitious half-man, half-monster icon, people are still happy to spend their time on movies, books, and TV series that feature vampires?
Entertainment and escapism come to mind. As much as we are riveted by "real world" plots, sometimes the brain needs to zone out in fantasyland. This explanation is plausible, but it fails to prove why the vampire in particular outperforms any other fantastical creature.
We should keep in mind that the vampire has only recently assumed the role of the compelling, gothic, martyred, seductive, gorgeous, off-limits, struggling, sympathetic, romantic outcast in love with a human. The slick hunk in black leather pants, driving a sports car in a metropolis by night, was not the bloodcurdling image that had haunted the graveyards of our ancestors.
Granted, the spooky effect has value. Sexologists believe that scary moments stimulate the libido and therefore couples may bond effectively having watched a horror movie together. However, while this theory is bound to stick in your memory, it does not offer sufficient evidence, either.
Vampires, whether pale and beautiful or ghoulishly foul, have always been identified with death, blood-drinking, and sex, feeding on emotions such as love, guilt, dread, desire, pity, and sadism.
Far be it from me to undertake psychoanalyzing why we are obsessed with death, blood, and sex. In my capacity as a historical novelist, I choose to explore the mysteries of the human psyche through stories in the hopes of understanding why we were put on this earth and how we may improve our lot in life. Ironically, as I study the tapestry of man's fleeting existence, I see how the fruits of one generation's labor -- art, science, architecture, etc. -- are reaped by its successors.
Now, a vampire -- omnipotent, never-aging, and immortal -- may travel the centuries unscathed, unconstrained by a deadline in his pursuit of enlightenment and happiness. Would he or she be a cheerful voyager or one cursed with loneliness? Then there is the future to consider. What if the world and/or mankind are doomed to a cataclysmic end? Would anyone care to witness that?
Vampire symbolism is tied in heavily with the awareness of the powers of darkness, chaos, and the occult -- ancient mysteries that add a chilling dimension to the rich layers of history and cast a question mark on the future. Doomsday prophecies made for an absorbing read as I was doing research back in 2007 for Royal Blood, my Tudor Vampires novel. Here's an example:
"Awake, ye drunkards, and weep . . . For a nation is come up upon my land, strong, and without number, whose teeth are the teeth of a lion . . . Sound an alarm in my holy mountain: let all the inhabitants of the land tremble: for the day of the Lord cometh, for it is nigh at hand . . . And I will shew wonders in the heavens and in the earth, blood, and fire, and pillars of smoke. The sun shall be turned into darkness, and the moon into blood, before the great and the terrible day of the Lord come."
– Book of Joel
The vampire -- a human lookalike possessed of superior abilities, as well as frailties, dependent on man for sustenance, multifaceted and obscure -- remains an enigmatic figure. Friend or foe? Through him, we get to experience latent fancies and scenes in which the secrets of creation are unraveled. Thank heavens for fiction, I say. The world, I predict, has not seen the last of the vampire crazes. The undead are here to stay, our prolific imagination will undoubtedly continue to produce them, and even the most discriminating realist may yet cross over to the dark side.
©2009 Rona Sharon, author of Royal Blood
About the Book:Royal Blood
Rona Sharon
Kensington
April 1, 2009
ISBN# 978-0-7582-2858-1
Book Blurb:
In the Tudor Court of 1518, your friends and enemies can be one and the same...
During the annual celebration of the Order of the Garter, Sir Michael Devereaux arrives in King Henry VIII's court on a mission for his benefactor. The celebration's endless feats and sumptuous women delight the charismatic newcomer, who becomes captivated by the enigmatic Princess Renée of France. But evil, it seems, has followed Michael to the court. Shortly after his arrival, an unknown killer claims several victims, including the Queen's lady-in-waiting, and the powerful Cardinal Wolsey asks Michael to help with the investigation. As he searches for the killer, Michael is haunted by disturbing images of the victims—flashes of violence that lead him to doubt his own sanity. Michael soon realizes that the key to solving the crime is connected to both the Pope's Imperial vault in Rome and a mystery from Michael's own past—revealing a secret that is so damning, it could forever alter the future of mankind.
Powerfully evocative and steeped with detail from the breathtaking era of the Tudors, Royal Blood is historical storytelling at its richest—an unforgettable tale of intrigue, passion, and danger.
About the Author:Rona Sharon is the author of critically acclaimed historical novels of intrigue, passion, and danger. Her latest, Royal Blood, is a tale of lust and violence in the treacherous Tudor Court. From her home on the Mediterranean Coast in Tel Aviv, surrounded by thousands of years of history, Rona brings her passion for culture and travel to her writing and never fails to deliver a story that carries a punch . . . and a dagger.
For more information please visit http://www.ronasharon.com/
Kimberly Swan, DarqueReviews.com
Monday, February 11, 2008
Mistress of the Art of Death by Ariana Franklin
Mistress of the Art of Death
Ariana Franklin
Berkley
February 5, 2008
ISBN# 978-0-425-21925-6
When Cambridge becomes the site of a grizzly murder, King Henry II looks to his friend, the King of Sicily, for help in finding a ‘doctor to the dead’. While he’s expecting the arrival of a master of the art of death, what Cambridge receives instead is a mistress who has trained at the University of Salerno, but has to hide her occupation from the local population. With Simon of Naples who is a criminal investigator, and Mansur who serves as her bodyguard, Adelia sets out to discover the truth behind the vicious slaying of a local child. What awaits her arrival is the realization that there have been three more children abducted and murdered in the same manner as the first.
The king’s tax collector, Sir Rowley Picot, becomes a significant help in the investigation and shows an interest in Adelia, but she won’t allow herself to be distracted. There’s more to the case and resulting chaos than discovering the killer, because the Jewish residents of Cambridge have had to leave their homes and businesses to be guarded for their safety. The town blames them for the deaths of its children, and it will take more than Adelia’s findings to set things straight.
Mistress of the Art of Death is a medieval criminal investigation with a brilliant twist. When a crime needs solving and there’s no crime scene to analyze, the job falls to someone who can get their answers from the dead. Adelia is the right one for the job, but in the 1170’s the majority still believes it’s a man’s job. Ms. Franklin blends historical fiction with a well-detailed and riveting murder investigation. This gripping suspense smoothly builds to a dramatic climax that will continue to surprise readers to the end.
Kimberly Swan, Darque Reviews
Ariana Franklin
Berkley
February 5, 2008
ISBN# 978-0-425-21925-6
When Cambridge becomes the site of a grizzly murder, King Henry II looks to his friend, the King of Sicily, for help in finding a ‘doctor to the dead’. While he’s expecting the arrival of a master of the art of death, what Cambridge receives instead is a mistress who has trained at the University of Salerno, but has to hide her occupation from the local population. With Simon of Naples who is a criminal investigator, and Mansur who serves as her bodyguard, Adelia sets out to discover the truth behind the vicious slaying of a local child. What awaits her arrival is the realization that there have been three more children abducted and murdered in the same manner as the first.
The king’s tax collector, Sir Rowley Picot, becomes a significant help in the investigation and shows an interest in Adelia, but she won’t allow herself to be distracted. There’s more to the case and resulting chaos than discovering the killer, because the Jewish residents of Cambridge have had to leave their homes and businesses to be guarded for their safety. The town blames them for the deaths of its children, and it will take more than Adelia’s findings to set things straight.
Mistress of the Art of Death is a medieval criminal investigation with a brilliant twist. When a crime needs solving and there’s no crime scene to analyze, the job falls to someone who can get their answers from the dead. Adelia is the right one for the job, but in the 1170’s the majority still believes it’s a man’s job. Ms. Franklin blends historical fiction with a well-detailed and riveting murder investigation. This gripping suspense smoothly builds to a dramatic climax that will continue to surprise readers to the end.
Kimberly Swan, Darque Reviews
Wednesday, January 30, 2008
Immortal by Traci L. Slatton
Immortal
Traci L. Slatton
Delta – Bantam Dell
January 29, 2008
ISBN# 978-0-385-33974-2
With no memory of his parents, the life Luca remembers begins as an abandoned young boy on the streets of Florence, Italy. It’s apparent early on that Luca is different from other children. He barely ages, he doesn’t take ill, and his differences label Luca a sorcerer and witch.
Betrayed by a boy he considered a friend, Luca finds himself in the clutches of Silvano, a cruel man who beats him and sells his body to the men who frequent his brothel. Silvano holds Luca with the promise of information and the threat to use it against him as one of the many torments he inflicts. It’s his love of art and his desire to learn that comfort Luca through the long days until he finds freedom once again.
During his early years, Luca meets the artist Giotto di Bondone and later Leonardo di Vinci and Sandro Botticelli. His interest in their talents makes his years bearable as Luca continues to pursue the mystery of his heritage, religion, love and the art of alchemy.
Through plagues and war, enemies and friends, Luca remains strong, until a loss he can’t bear sends him over the edge. In grief, madness and the eventual acceptance, Luca will gain the answers he’s spent his long life chasing, but the cost to get there will be much higher than he ever imagined.
With a touch of the paranormal, Immortal is a historical novel of love, religion and the mysteries of life. On his own from a young age, Luca survives much worse than life on the streets before achieving his lifelong goals. Ms. Slatton does an amazing job of drawing readers into her story with remarkable detail and passionate characters. The unique plot and vivid description of Florence and the surrounding area adds beauty to what would have otherwise been a dark story. A lengthy tale, but well worth every moment spent reading it.
Kimberly Swan, Darque Reviews
Traci L. Slatton
Delta – Bantam Dell
January 29, 2008
ISBN# 978-0-385-33974-2
With no memory of his parents, the life Luca remembers begins as an abandoned young boy on the streets of Florence, Italy. It’s apparent early on that Luca is different from other children. He barely ages, he doesn’t take ill, and his differences label Luca a sorcerer and witch.
Betrayed by a boy he considered a friend, Luca finds himself in the clutches of Silvano, a cruel man who beats him and sells his body to the men who frequent his brothel. Silvano holds Luca with the promise of information and the threat to use it against him as one of the many torments he inflicts. It’s his love of art and his desire to learn that comfort Luca through the long days until he finds freedom once again.
During his early years, Luca meets the artist Giotto di Bondone and later Leonardo di Vinci and Sandro Botticelli. His interest in their talents makes his years bearable as Luca continues to pursue the mystery of his heritage, religion, love and the art of alchemy.
Through plagues and war, enemies and friends, Luca remains strong, until a loss he can’t bear sends him over the edge. In grief, madness and the eventual acceptance, Luca will gain the answers he’s spent his long life chasing, but the cost to get there will be much higher than he ever imagined.
With a touch of the paranormal, Immortal is a historical novel of love, religion and the mysteries of life. On his own from a young age, Luca survives much worse than life on the streets before achieving his lifelong goals. Ms. Slatton does an amazing job of drawing readers into her story with remarkable detail and passionate characters. The unique plot and vivid description of Florence and the surrounding area adds beauty to what would have otherwise been a dark story. A lengthy tale, but well worth every moment spent reading it.
Kimberly Swan, Darque Reviews
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